(1970-72) is founded on the alternation of attributes ranging from highly empirical to introspective, remarkably merging innocent sentience and mental representation.
Monostabile gets periodically close to silence, wide spaces allowed to low-frequency currents to spread their influence under the semblance of extended ethereal shapes. The latter, somehow akin to comets, are acoustically symbolized by gradual glissando, either declining or ascending. Quite often the sonic mechanism approaches the overload limit; right there, the sound becomes unfixed and nebulous. Elsewhere, it seems to trespass the limits of the “listener/monitors” triangle, ultimately surrounding the recipient after having caused a come-from-behind disruption.
Invarianten is made of somewhat consistent matter, certain sections even permitting a conjectural approximation of the source from which the self-regulated composite originates. For example, a looped fragment of classical music, either slowed down or sped up to the extreme, almost up to levels of downright paroxysm.
Sources Ergodiques is a ceaseless exposure to a physical burden whose aural consequence is comparable to a deranged reactor immersed in a sea boiling at inconceivably high temperatures.
Matrix is an autonomous brain cell or, if you will, a high-potential cyber-creature impossible to direct or control entirely. It also suggests an engrossed look into events occurring across peculiarly winding roads and environments of sempiternal darkness. All of this unfolds along unceasingly morphing partials and dynamic shifts oscillating from ppp up to the noise of a gas turbine.
In Sources Ergodiques II the nebulous delivery of an Italian speaker underscores a soundscape of crepuscular chiaroscuros and tenuous nuances; an unresolvable solitude is observed from a safe distance.
Logatome gets the listener ready and waiting for a change, entirely fit to figure out and fight the worst uncertainties and difficulties. It does not prescribe conventions, leaving the mind free to favor the reception of one or more sounds over others. However, after too much waiting the cybernetic behemoth might come back, escorting us to damp subsurface caverns while speaking through unusual idioms. From the inside of one of these compartments, we will only be able to imagine the symptoms of lunar light.